In letzter Zeit war viel los- das Feuermotiv wurde eine Woche vor der FMX Konferenz released. So hier nun das Update der Publikation des letzten Motives, welches ich für die Printkampagne der FMX Conference gestaltet habe. [vimeo 206851754 w=900 h=506] Makingof Fire Print Motiv for FMX from Julie Boehm on Vimeo. I didn’t had so …
Aufgrund des großen Erfolges wird meine Ausstellung ‘FARB(T)RÄUME’ um 2 Monate verlängert ✨ die Ausstellung lebt und wechselt ständig mit neuen Arbeiten 😀 vielen Dank für das positive Feedback! Because of the huge success of “FARB(T)RAEUME” my exhibtion will be extended until 31od July. Looking forward to see you there! Let me know when you pass …
Here are the first photos of a creative bodypainting shooting with constorsionist Alina Ruppel. She will be also my model for the next vernissage performance 16th of october ‘INTERNATIONALE KUNSTAUSSTELLUNG’, Wasserburg Kalteneck Hier sehen Sie ein paar Bilder welche aus dem Shooting mit der Schlangenfrau Alina Ruppel entstanden. Sie wird auch mein Model bei der Vernissage …
In 2014 my idea “Camouflage” won the JAB Challenge at the Filmacademy: Production of a new commercial for JAB Anstoetz fabrics.
So here is it, enjoy watching the story of the girl Mia in an old house at night, discovering a magic fabric getting alive….
The original story included much more camouflage paintings – game of hide and seek between the little girl and the dancing fairy. At the end Mia catching the fairy and falling down on a huge bed, the fairy transforming into a fabric foldering. Unfortunately we could only shoot 1/4 of my story as the customer had not set the budget before. Quite hard when you want to tell this magic story- but maybe one day I want to complete my film making a new one with this idea of camouflage fairy.
In this Bodypainting Shooting I painted the beautiful red hair model Maria in style of Art Nouveau.
I got inspirated by some painters of the 20th century like Klimt who integrated a 3d looking woman into graphic 2d ornaments (for example “Judith”). So I mixed camouflage integration but also didn’t cover the whole body in this decorative style. The background I painted on the studio paper.
Showing the crew (producer, cameraman, production manager, costumer, director, editor) as an classic ancestral portrait paintings for an upcoming film. This is the making of the painting process. I filmed with different cams (ipad, normal and photo) – mix of everything, hope you enjoy it! 😉